Wednesday, December 28 at 6:15pm (Encore) In 1930s Japanese-occupied Korea, a young pickpocket named Soo-kee is recruited by a swindler to pose as the handmaiden to the heiress Lady Hideko, whom he plans to seduce and rob of her inheritance. His plans run afoul when the two women develop strong feelings for one another in this sumptuous and clever erotic drama from K-cinema master Park Chan-wook.
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The Handmaiden English Subtitles
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Video - 2.39:1 MPEG2 / 480p / 29.97fps (NTSC)Audio - Korean Dolby Digital 5.1chSubtitles - Korean / EnglishRegion Code - 3 (NOT region free)Running time - 144min (Theatrical) / 168min (Extended) Special Features: (Warning: No English subtitles)1) Audio commentary track with Director Park Chan-wook, Film Critic Kim Hye-ri (Theatrical Version)2) Audio commentary track with Director Park Chan-wook, Kim Tae-ri, Ha Jung-woo, Jo Jin-woong, Yoon Suk-chan (Extended Version)3) The Spot Documentary4) Promotion5) Making the Film6) Teaser7) TrailerStoryline: 1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions. Written by CJ Entertainment
It is not. What we have instead is a series of chapters most of which take a particular text, and, more or less loosely, use some narratological vocabulary or techniques to offer a reading of that text. The standard reference point throughout is Genette, and the editors are clear that this is deliberate. They do not want to consider the multiple narratologies that now stalk the academy, nor the critiques of narratology from deconstruction, say, nor the challenge of a more politicized discourse of criticism to narratology. They insist on "narratology in the singular" and as a "heuristic tool" (3). So--they conclude disarmingly--"Narratology thus defined will not deliver fully developed interpretations" (3). But, lest you think that Narratology But Not Interpretation would have been a fairer title for such a project, they add that by combining narratology with other approaches, its usefulness can be released--and interpretation can after all emerge. So narratology in this account seems to be at best a useful catalyst in the critical test-tube, adding its sobriety to the headier brews where interpretation bubbles away: a formalist handmaiden to other approaches. 2ff7e9595c
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